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Muwashah Ya Gazalan Zaada

Khalil Haj Hussein

Maqam

Huzam

Iqa (Rhythm)

Aqsaq

Transcription

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Text

يا غــــــــزالاً زادَ هجراً ودلالْ
زادَ في الهجرِ سقامي والهزالْ
فمتى أروي فؤادي بالوصالْ
أرتوي من ريقِ ثغرٍ كــــالزلالْ
ذبتُ شوقاً متُّ وجداً وهيــامْ
بغزالٍ قد رمــــــــاني بالسِّهامْ
إنَّ جفني فيهِ قرْحٌ وسقــامْ
وجفا عيني رقادي والمنـــــامْ
إنّنـــــــي صبٌّ معنَّى
وعليكَ القلبُ أحنّى
يرتجي وصلاً يداوي
سُقْمَهُ والعيشُ أهنا

Analysis

Written in aqsaq (9/8), the muwashah starts on the tonic of the maqam with a phrase that includes the aqd of hijaz as an expression of the misery the composer feels due of the longing for his beloved Gazal. The next phrase reaches the octave and emphasizes his confusion through alternation between the flavors of the rast and the huzam. To end the piece, the composer repeats the same phrase he started as if to remind himself of his pathetic state. The khana is written in the fast and light saraband rhythm (⅜), and it is here where he confesses to his beloved his suffering. As a departure from the regular form, the piece ends with the khana without returning to the first section.

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